The above six sermons were selected independently of the fact that they are among the ten published by their author; but this circumstance confirms the choice and, moreover, serves to authenticate the text. Edwards has suffered not a little at the hands of his editors, particularly Dwight, who seems to have been possessed by the idea that his author would appear to better advantage in a style and language more elegant and refined. “Don’t do as Orpah did,” pleads Edwards in the Ruth sermon; “Do not as Orpah did,” is the feeble refinement of his editor. But even the generally accurate Worcester or First American Edition (1809) is not to be implicitly trusted; for instance, two whole pages are omitted at the end of the Enfield sermon, giving to that sermon a startling and bizarre close, wholly out of keeping with Edwards’s habitual manner. Later editions import other errors and, even while professing to follow the Worcester edition, sometimes, in fact, follow not that edition, but Dwight’s (e.g., in the Ruth sermon).
The present text is based upon a careful comparison of the original editions, now very scarce, in the Boston Athenæum. The original expressions, ’tis, won’t, don’t, etc., as Edwards himself printed them, have been restored, a number of verbal errors in the later editions corrected and several omitted lines recovered, besides the long passage already mentioned, which is, however, in Dwight, at the end of the Enfield sermon.
No attempt, however, has been made to give a facsimile reproduction of the first editions with all their printer’s errors, capricious spelling, antiquated punctuation, and uncouth use of capitals and italics. These externalities could distract the modern reader while adding nothing essential to accuracy. In these respects, therefore, more modern usage has been followed. The aim has simply been to give the exact words of the originals and to preserve their spirit, treating the sermons as sermons to be preached and not as essays to be read. Accordingly, while avoiding the extremes of the first editions, italics have been used where Edwards used them to mark divisions, or for special emphasis, somewhat more freely than would be customary now. This edition also follows his, and the Biblical, use of ordinary type in personal pronouns referring to divine beings, the verbal reverence in the modern use of capitals being regarded as needless to enhance the real reverence of Edwards’s thought and possibly a little out of place. Added words are enclosed within square brackets.
Besides the six sermons mentioned, the present collection includes one, the interesting if not exactly great sermon on the Many Mansions, which has not before been published. A copy of this sermon made for the late Professor Edwards A. Park, of Andover, was kindly put at the disposal of the editor by his son, the Rev. Dr. William E. Park, of Gloversville, N.Y.; but it has also been carefully collated with the original manuscript. The editor has also examined the original manuscripts of all the other sermons in this volume, except that of the Farewell Sermon, which could not be discovered. These manuscripts are all in the collection of between eleven and twelve hundreds of Edwards’s sermons now in the Yale University Library. Most of these manuscripts are written in an exceedingly minute hand, with many abbreviations and occasionally with insertions in shorthand, on sheets of paper about 3⅝ × 4⅛in. in size, stoutly stitched together. The facsimile of the first page of the sermon on Spiritual Light given in this volume opposite p. 21 is representative; a relatively small number is slightly larger. Of the particular manuscripts some account will be found in the notes. The handling and deciphering of these manuscripts give one a curious sense of intimacy with the working of Edwards’s brain and heart: one is with him in his workshop and sees, as it were, the very thing in the making. One seems to feel the intensity of the excitement as, with his audience present in imagination, and with keen delight in the activity of literary creation, he works out his theme.
One observes how alternative forms of expression, alternative lines of development, suggest themselves, and how now whole paragraphs, whole pages are struck off at white heat, while now, oftenest towards the end, the barest outlines are jotted down, to be filled out in delivery. But the manuscripts of the sermons which Edwards himself published afford no help in the fixing of the text. The sermons as he printed them are invariably expanded and often greatly altered in other respects, and the copy prepared for the printer is no longer extant. This circumstance should not be overlooked in judging of sermons printed directly from the manuscripts. In the Yale collection, there are sermons that were written out pretty fully; others are only fairly fully written out in parts, and others again are mere skeletons. The majority of those of the Northampton period are of the second sort. Among the hundreds of Edwards’s unpublished sermons, there are doubtless many that it would be interesting to have in print just as they stand; it is doubtful if there are any which would add materially to his reputation as a preacher in comparison with the great sermons already published.
The portrait of Edwards in this volume is from a recent photograph of the original painting of 1740. The photograph was kindly furnished by the present owner of the painting, Mr. Eugene P. Edwards, of Chicago, to whom the editor takes this opportunity of expressing his obligations. He also desires to express his thanks to Dr. William E. Park for the use of the copy of the sermon on the Many Mansions; to the publishers for allowing the extra space required for printing this new sermon; to Professor Franklin B. Dexter for generous help in the study of the manuscripts and for permission to photograph the sermon on Spiritual Light, to Mr. Charles K. Bolton, Librarian of the Boston Athenæum, for courtesies in the use of the first editions; and to Mr. George N. Whipple of Boston, for verifying a number of references.
Northampton, Mass.,
March, 1904.
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