The Life of David According to the Psalms—VI—THE EXILE—CONTINUED 1/7

We have one psalm which the title connects with the beginning of David's stay at Adullam,—the thirty-fourth. The supposition that it dates from that period throws great force into many parts of it, and gives a unity to what is else apparently fragmentary and disconnected. Unlike those already considered, which were pure soliloquies, this is full of exhortation and counsel, as would naturally be the case if it were written when friends and followers began to gather to his standard. It reads like a long sigh of relief at escape from a danger just past; its burden is to tell of God's deliverance, and to urge to trust in Him. How perfectly this tone corresponds to the circumstances immediately after his escape from Gath to Adullam need not be more than pointed out. The dangers which he had dreaded and the cry to God which he had sent forth are still present to his mind, and echo through his song, like a subtly-touched chord of sadness, which appears for a moment, and is drowned in the waves of some triumphant music.

"I sought the Lord, and He heard me,

And from all my alarms He delivered me.

This afflicted (man) cried, and Jehovah heard,

And from all his troubles He saved him."

And the "local colouring" of the psalm corresponds too with the circumstances of Adullam. How appropriate, for instance, does the form in which the Divine protection is proclaimed become, when we think of the little band bivouacking among the cliffs, "The angel of the Lord encampeth round about them that fear Him, and delivereth them." Like his great ancestor, he is met in his desert flight by heavenly guards, "and he calls the name of that place Mahanaim" (that is, "two camps"), as discerning gathered round his own feeble company the ethereal weapons of an encircling host of the warriors of God, through whose impenetrable ranks his foes must pierce before they can reach him. From Samson's time we read of lions in this district (Judges xiv. 8, 9), and we may recognise another image as suggested by their growls heard among the ravines, and their gaunt forms prowling near the cave. "The young lions do lack and suffer hunger; but they that seek the Lord shall not want any good" (ver. 10).

And then he passes to earnest instructions and exhortations, which derive appositeness from regarding them as a proclamation to his men of the principles on which his camp is to be governed. "Come, ye children, hearken unto me." He regards himself as charged with guiding them to godliness: "I will teach you the fear of the Lord." With some remembrance, perhaps, of his deception at Gath, he warns them to "keep" their "tongues from evil" and their "lips from speaking guile." They are not to be in love with warfare, but, even with their swords in their hands, are to "seek peace, and pursue it." On these exhortations follow joyous assurances of God's watchful eye fixed upon the righteous, and His ear open to their cry; of deliverance for his suppliants, whatsoever hardship and trouble they may have to wade through; of a guardianship which "keepeth all the bones" of the righteous, so that neither the blows of the foe nor the perils of the crags should break them,—all crowned with the contrast ever present to David's mind, and having a personal reference to his enemies and to himself:

"Evil shall slay the wicked,

And the haters of the righteous shall suffer penalty.

Jehovah redeems the life of His servants,

And no penalty shall any suffer who trust in Him."

Such were the counsels and teachings of the young leader to his little band,—noble "general orders" from a commander at the beginning of a campaign!

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David naturally fled into Israelitish territory from Gath. The exact locality of the cave Adullam, where we next find him, is doubtful; but several strong reasons occur for rejecting the monkish tradition which places it away to the east, in one of the wild wadies which run down from Bethlehem to the Dead Sea. We should expect it to be much more accessible by a hasty march from Gath. Obviously it would be convenient for him to hang about the frontier of Philistia and Israel, that he might quickly cross the line from one to the other, as dangers appeared. Further, the city of Adullam is frequently mentioned, and always in connections which fix its site as on the margin of the great plain of Philistia, and not far from Gath. (2 Chron. xi. 7, etc.)

There is no reason to suppose that the cave of Adullam was in a totally different district from the city. The hills of Dan and Judah, which break sharply down into the plain within a few miles of Gath, are full of "extensive excavations," and there, no doubt, we are to look for the rocky hold, where he felt himself safer from pursuit, and whence he could look down over the vast sweep of the rich Philistine country. Gath lay at his feet, close by was the valley where he had killed Goliath, the scenes of Samson's exploits were all about him. Thither fled to him his whole family, from fear, no doubt, of Saul's revenge falling on them; and there he gathers his band of four hundred desperate men, whom poverty and misery, and probably the king's growing tyranny, drove to flight. They were wild, rough soldiers, according to the picturesque description, "whose faces were like the faces of lions, and were as swift as the roes upon the mountains." They were not freebooters, but seem to have acted as a kind of frontier-guard against southern Bedouins and western Philistines for the sheep-farmers of the border whom Saul's government was too weak to protect. In this desultory warfare, and in eluding the pursuit of Saul, against whom it is to be observed David never employed any weapon but flight, several years were passed.

The effect of such life on his spiritual nature was to deepen his unconditional dependence on God; by the alternations of heat and cold, fear and hope, danger and safety, to temper his soul and make it flexible, tough and bright as steel. It evolved the qualities of a leader of men; teaching him command and forbearance, promptitude and patience, valour and gentleness. It won for him a name as the defender of the nation, as Nabal's servant said of him and his men, "They were a wall unto us, both by night and by day" (1 Sam. xxv. 16). And it gathered round him a force of men devoted to him by the enthusiastic attachment bred from long years of common dangers, and the hearty friendships of many a march by day, and nightly encampment round the glimmering watchfires, beneath the lucid stars.

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But again he falls from this height; another surge of fear breaks over him, and almost washes him from his rock. His foes, with ceaseless malice, arrest his words; they skulk in ambush, they dog his heels, they long for his life. The crowded clauses portray the extremity of the peril and the singer's agitation. His soul is still heaving with the ground swell of the storm, though the blasts come more fitfully, and are dying into calm. He is not so afraid but that he can turn to God; he turns to Him because he is afraid, like the disciples in later days, who had so much of terror that they must awake their Master, but so much of trust that His awaking was enough. He pleads with God, as in former psalms, against his enemies, in words which go far beyond the occasion, and connect his own deliverance with the judgments of God over the whole earth. He plaintively recalls his homelessness and his sorrows in words which exhibit the characteristic blending of hope and pain, and which are beautifully in accordance with the date assigned to the psalm. "My wanderings dost Thou, even Thou, number." He is not alone in these weary flights from Gibeah to Ramah, from Ramah to Nob, from Nob to Gath, from Gath he knows not whither. 

One friend goes with him through them all. And as the water-skin was a necessary part of a traveller's equipment, the mention of his wanderings suggests the bold and tender metaphor of the next clause, "Put my tears in Thy bottle,"—a prayer for that very remembrance of his sorrows, in the existence of which he immediately declares his confidence—"Are they not in Thy book?" The true office of faithful communion with God is to ask for, and to appropriate, the blessings which in the very act become ours. He knows that his cry will scatter his foes, for God is for him. And thus once again he has risen to the height of confidence where for a moment his feet have been already planted, and again—but this time with even fuller emphasis, expressed by an amplification which introduces for the only time in the psalm the mighty covenant name—he breaks into his triumphant strain—

"In God I praise the Word;

In JEHOVAH I praise the Word:

In God I trust, I do not fear:—

What shall man do to me?"

And from this mood of trustful expectation he does not again decline. Prayer has brought its chiefest blessing—the peace that passeth understanding. The foe is lost to sight, the fear conquered conclusively by faith; the psalm which begins with a plaintive cry, ends in praise for deliverance, as if it had been already achieved—

"Thou hast delivered my life from death,

(Hast Thou) not (delivered) my feet from falling,

That I may walk before God in the light of the living?"

He already reckons himself safe; his question is not an expression of doubt, but of assurance; and he sees the purpose of all God's dealings with him to be that the activities of life may all be conducted in the happy consciousness of His eye who is at once Guardian and Judge of His children. How far above his fears and lies has this hero and saint risen by the power of supplication and the music of his psalm!

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The fifty-sixth psalm, which is referred by its title to this period, seems at first sight to be in strange contrast with the impressions drawn from the narrative, but on a closer examination is found to confirm the correctness of the reference by its contents. The terrified fugitive, owing his safety to a trick, and slavering like an idiot in the hands of his rude captors, had an inner life of trust strong enough to hold his mortal terror in check, though not to annihilate it. The psalm is far in advance of the conduct—is it so unusual a circumstance as to occasion surprise, that lofty and sincere utterances of faith and submission should co-exist with the opposite feelings? Instead of taking the contrast between the words and the acts as a proof that this psalm is wrongly ascribed to the period in question, let us rather be thankful for another instance that imperfect faith may be genuine, and that if we cannot rise to the height of unwavering fortitude, God accepts a tremulous trust fighting against mortal terror, and grasping with a feeble hand the word of God, and the memory of all his past deliverances. It is precisely this conflict of faith and fear which the psalm sets before us. It falls into three portions, the first and second of which are closed by a kind of refrain (vers. 4, 10, 11)—a structure which is characteristic of several of these Sauline persecution psalms (e.g., lvii. 5, 11; lix. 9, 17). The first part of each of these two portions is a vivid description of his danger, from which he rises to the faith expressed in the closing words. The repetition of the same thoughts in both is not to be regarded as a cold artifice of composition, but as the true expression of the current of his thoughts. He sees his enemies about him, ready to swallow him up—"there be many fighting against me disdainfully" (ver. 2). Whilst the terror creeps round his heart ("he was sore afraid," 1 Sam. xxi. 12), he rouses himself to trust, as he says, in words which express most emphatically the co-existence of the two, and carry a precious lesson of the reality of even an interrupted faith, streaked with many a black line of doubt and dread.

Literally, "loftily." Can there be any allusion to the giant stature of Goliath's relations in Gath? We hear of four men "born to the giant in Gath," who were killed in David's wars. (2 Sam. xxi. 22.)

"(In) the day (that) I am afraid—I trust on Thee."

And then he breaks into the utterance of praise and confidence—to which he has climbed by the ladder of prayer.

"In God I praise His word,

In God I trust, I do not fear:—

What shall flesh do to me?"

How profoundly these words set forth the object of his trust, as being not merely the promise of God—which in David's case may be the specific promise conveyed by his designation to the throne—but the God who promises, the inmost nature of that confidence as being a living union with God, the power of it as grappling with his dread, and enabling him now to say, "I do not fear."

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Hunted from Nob, David with a small company struck across the country in a southwesterly direction, keeping to the safety of the tangled mountains, till, from the western side of the hills of Judah, he looked down upon the broad green plain of Philistia. Behind him was a mad tyrant, in front the uncircumcised enemies of his country and his God. His condition was desperate, and he had recourse to desperate measures. That nearest Philistine city, some ten miles off, on which he looked down from his height, was Gath; the glen where he had killed its champion was close beside him,—every foot of ground was familiar by many a foray and many a fight. It was a dangerous resource to trust himself in Gath, with Goliath's sword dangling in his belt. But he may have hoped that he was not known by person, or may have thought that Saul's famous commander would be a welcome guest, as a banished man, at the Philistine court. So he made the plunge, and took refuge in Goliath's city. Discovery soon came, and in the most ominous form. It was an ugly sign that the servants of Achish should be quoting the words of the chant of victory which extolled him as the slayer of their countryman.

Vengeance for his death was but too likely to come next. The doubts of his identity seem to have lasted for some little time, and to have been at first privately communicated to the king. They somehow reached David, and awoke his watchful attention, as well as his fear. The depth of his alarm and his ready resource are shown by his degrading trick of assumed madness—certainly the least heroic action of his life. What a picture of a furious madman is the description of his conduct when Achish's servants came to arrest him. He "twisted himself about in their hands" in the feigned contortions of possession; he drummed on the leaves of the gate, and "let his spittle run down into his beard." (1 Sam. xxi. 13.) Israelitish quickness gets the better of Philistine stupidity, as it had been used to do from Sampson's time onwards, and the dull-witted king falls into the trap, and laughs away the suspicions with a clumsy joke at his servants' expense about more madmen being the last thing he was short of. A hasty flight from Philistine territory ended this episode.

The Septuagint appears to have followed a different reading here from that of our present Hebrew text, and the change adds a very picturesque clause to the description. A madman would be more likely to hammer than to "scrabble" on the great double-leaved gate.

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One psalm, the fifty-second, is referred by its inscription to this period, but the correspondence between the history and the tone of the psalm is doubtful. It is a vehement rebuke and a prophecy of destruction directed against an enemy, whose hostility was expressed in "devouring words." The portrait does not apply very accurately to the Doeg of the historical books, inasmuch as it describes the psalmist's enemy as "a mighty man,"—or rather as "a hero," and as trusting "in the abundance of his riches,"—and makes the point of the reproach against him that he is a confirmed liar. But the dastardly deed of blood may be covertly alluded to in the bitterly sarcastic "hero"—as if he had said, "O brave warrior, who dost display thy prowess in murdering unarmed priests and women?" And Doeg's story to Saul was a lie in so far as it gave the impression of the priests' complicity with David, and thereby caused their deaths on a false charge. The other features of the description are not contrary to the narrative, and most of them are in obvious harmony with it. The psalm, then, may be taken as showing how deeply David's soul was stirred by the tragedy. He pours out broken words of hot and righteous indignation:

"Destructions doth thy tongue devise,

Like a razor whetted—O thou worker of deceit."

"Thou lovest all words that devour: O thou deceitful tongue!"

Literally, "words of swallowing up."

He prophesies the destruction of the cruel liar, and the exultation of the righteous when he falls, in words which do indeed belong to the old covenant of retribution, and yet convey an eternal truth which modern sentimentalism finds very shocking, but which is witnessed over and over again in the relief that fills the heart of nations and of individuals when evil men fade: "When the wicked perish, there is shouting"—

"Also God shall smite thee down for ever,

Will draw thee out, and carry thee away from the tent,

And root thee out of the land of the living;

And the righteous shall see and fear,

And over him shall they laugh."

In confident security he opposes his own happy fellowship with God to this dark tragedy of retribution:

"But I—(I am) like a green olive tree in the house of God."

The full force of the word is, "will pluck out as a glowing ember from a hearth" (Delitzsch).

The enemy was to be "rooted out;" the psalmist is to flourish by derivation of life and vigour from God. If Robinson's conjecture that Nob was on the Mount of Olives were correct (which is very doubtful), the allusion here would gain appropriateness. As the olives grew all round the humble forest sanctuary, and were in some sort hallowed by the shrine which they encompassed, so the soul grows and is safe in loving fellowship with God. Be that as it may, the words express the outlaw's serene confidence that he is safe beneath the sheltering mercy of God, and re-echo the hopes of his earlier psalm, "I will dwell in the house of the Lord for ever." The stormy indignation of the earlier verses passes away into calm peace and patient waiting in praise and trust:

"I will praise Thee for ever, for Thou hast done (it),

And wait on Thy name in the presence of Thy beloved, for it is good."

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"So David fled, and escaped and came to Samuel to Ramah, and told him all that Saul had done unto him. And he and Samuel went and dwelt in Naioth" (1 Sam. xix. 18)—or, as the word probably means, in the collection of students' dwellings, inhabited by the sons of the prophets, where possibly there may have been some kind of right of sanctuary. Driven thence by Saul's following him, and having had one last sorrowful hour of Jonathan's companionship—the last but one on earth—he fled to Nob, whither the ark had been carried after the destruction of Shiloh. The story of his flight had not reached the solitary little town among the hills, and he is received with the honour due to the king's son-in-law. He pleads urgent secret business for Saul as a reason for his appearance with a slender retinue, and unarmed; and the priest, after some feeble scruples, supplies the handful of hungry fugitives with the shew bread. But David's quick eye caught a swarthy face peering at him from some enclosure of the simple forest sanctuary, and as he recognised Doeg the Edomite, Saul's savage herdsman, a cold foreboding of evil crept over his heart, and made him demand arms from the peaceful priest. The lonely tabernacle was guarded by its own sanctity, and no weapons were there, except one trophy which was of good omen to David—Goliath's sword. He eagerly accepts the matchless weapon which his hand had clutched on that day of danger and deliverance, and thus armed, lest Doeg should try to bar his flight, he hurries from the pursuit which he knew that the Edomite's malignant tongue would soon bring after him.

The tragical end of the unsuspecting priest's kindness brings out the furious irrational suspicion and cruelty of Saul. He rages at his servants as leagued with David in words which have a most dreary sound of utter loneliness sighing through all their fierce folly: "All of you have conspired against me; there is none of you that is sorry for me" (1 Sam. xxii. 8.) Doeg is forward to curry favour by telling his tale, and so tells it as to suppress the priest's ignorance of David's flight, and to represent him as aiding and comforting the rebel knowingly. Then fierce wrath flames out from the darkened spirit, and the whole priestly population of Nob are summoned before him, loaded with bitter reproaches, their professions of innocence disregarded, and his guard ordered to murder them all then and there. The very soldiers shrink from the sacrilege, but a willing tool is at hand. The wild blood of Edom, fired by ancestral hatred, desires no better work, and Doeg crowns his baseness by slaying—with the help of his herdsmen, no doubt—"on that day fourscore and five persons that did wear an ephod," and utterly extirpating every living thing from the defenceless little city.

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They "lie in wait (literally weave plots) for my life." They are "workers of iniquity," "men of blood," insolent or violent ("mighty" in English version). He asserts his innocence, as ever in these Sauline psalms, and appeals to God in confirmation, "not for my transgressions, nor for my sins, O Lord." He sees these eager tools of royal malice hurrying to their congenial work: "they run and prepare themselves." And then, rising high above all encompassing evils, he grasps at the throne of God in a cry, which gains additional force when we remember that the would-be murderers compassed his house in the night. "Awake to meet me, and behold;" as if he had said, "In the darkness do Thou see; at midnight sleep not Thou." 

The prayer is continued in words which heap together with unwonted abundance the Divine names, in each of which lie an appeal to God and a pillar of faith. As Jehovah, the self-existent Fountain of timeless Being; as the God of Hosts, the Commander of all the embattled powers of the universe, whether they be spiritual or material; as the God of Israel, who calls that people His, and has become theirs—he stirs up the strength of God to "awake to visit all the heathen,"—a prayer which has been supposed to compel the reference of the whole psalm to the assaults of Gentile nations, but which may be taken as an anticipation on David's lips of the truth that, "They are not all Israel which are of Israel." After a terrible petition—"Be not merciful to any secret plotters of evil"—there is a pause (Selah) to be filled, as it would appear, by some chords on the harp, or the blare of the trumpets, thus giving time to dwell on the previous petitions.

But still the thought of the foe haunts him, and he falls again to the lower level of painting their assembling round his house, and their whispers as they take their stand. It would appear that the watch had been kept up for more than one night. How he flings his growing scorn of them into the sarcastic words, "They return at evening; they growl like a dog, and compass the city" (or "go their rounds in the city"). One sees them stealing through the darkness, like the troops of vicious curs that infest Eastern cities, and hears their smothered threatenings as they crouch in the shadow of the unlighted streets. Then growing bolder, as the night deepens and sleep falls on the silent houses: "Behold they pour out with their mouth, swords (are) in their lips, for 'who hears'?" In magnificent contrast with these skulking murderers fancying themselves unseen and unheard, David's faith rends the heaven, and, with a daring image which is copied in a much later psalm (ii. 4), shows God gazing on them with Divine scorn which breaks in laughter and mockery. A brief verse, which recurs at the end of the psalm, closes the first portion of the psalm with a calm expression of untroubled trust, in beautiful contrast with the peril and tumult of soul, out of which it rises steadfast and ethereal, like a rainbow spanning a cataract. A slight error appears to have crept into the Hebrew text, which can be easily corrected from the parallel verse at the end, and then the quiet confident words are—

"My strength! upon Thee will I wait,

For God is my fortress!"

The second portion is an intensification of the first; pouring out a terrible prayer for exemplary retribution on his enemies; asking that no speedy destruction may befall them, but that God would first of all "make them reel" by the blow of His might; would then fling them prostrate; would make their pride and fierce words a net to snare them; and then, at last, would bring them to nothing in the hot flames of His wrath—that the world may know that He is king. The picture of the prowling dogs recurs with deepened scorn and firmer confidence that they will hunt for their prey in vain.

"And they return at evening; they growl like a dog,

And compass the city.

They—they prowl about for food

If (or, since) they are not satisfied, they spend the night (in the search.)"

There is almost a smile on his face as he thinks of their hunting about for him, like hungry hounds snuffing for their meal in the kennels, and growling now in disappointment—while he is safe beyond their reach. And the psalm ends with a glad burst of confidence, and a vow of praise very characteristic on his lips—

"But I—I will sing Thy power,

And shout aloud, in the morning, Thy mercy,

For Thou hast been a fortress for me.

And a refuge in the day of my trouble.

My strength! unto Thee will I harp,

For God is my fortress—the God of my mercy."

Thrice he repeats the vow of praise. His harp was his companion in his flight, and even in the midst of peril the poet's nature appears which regards all life as materials for song, and the devout spirit appears which regards all trial as occasions for praise. He has calmed his own spirit, as he had done Saul's, by his song, and by prayer has swung himself clear above fightings and fears. The refrain, which occurs twice in the psalm, witnesses to the growth of his faith even while he sings. At first he could only say in patient expectance, "My strength! I will wait upon thee, for God is my fortress." But at the end his mood is higher, his soul has caught fire as it revolves, and his last words are a triumphant amplification of his earlier trust: "My strength! unto thee will I sing with the harp—for God is my fortress—the God of my mercy."

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These general characteristics accurately correspond with the circumstances of David during the years of his wanderings. The scenery and life of the desert colours the metaphors which describe his enemies as wild beasts; himself as a poor hunted creature amongst pits and snares; or as a timid bird flying to the safe crags, and God as his Rock. Their strong assertions of innocence accord with the historical indications of Saul's gratuitous hatred, and appear to distinguish the psalms of this period from those of Absalom's revolt, in which the remembrance of his great sin was too deep to permit of any such claims. In like manner the prophecies of the enemies' destruction are too triumphant to suit that later time of exile, when the father's heart yearned with misplaced tenderness over his worthless son, and nearly broke with unkingly sorrow for the rebel's death. Their confidence in God, too, has in it a ring of joyousness in peril which corresponds with the buoyant faith that went with him through all the desperate adventures and hairbreadth escapes of the Sauline persecution. If then we may, with some confidence, read these psalms in connection with that period, what a noble portraiture of a brave, devout soul looks out upon us from them. We see him in the first flush of his manhood—somewhere about five-and-twenty years old—fronting perils of which he is fully conscious, with calm strength and an enthusiasm of trust that lifts his spirit above them all, into a region of fellowship with God which no tumult can invade, and which no remembrance of black transgression troubled and stained. His harp is his solace in his wanderings; and while plaintive notes are flung from its strings, as is needful for the deepest harmonies of praise here, every wailing tone melts into clear ringing notes of glad affiance in the "God of his mercy."

Distinct references to the specific events of his wanderings are, undoubtedly, rare in them, though even these are more obvious than has been sometimes carelessly assumed. Their infrequency and comparative vagueness has been alleged against the accuracy of the inscriptions which allocate certain psalms to particular occasions. But in so far as it is true that these allusions are rare and inexact, the fact is surely rather in favour of than against the correctness of the titles. For if these are not suggested by obvious references in the psalms to which they are affixed, by what can they have been suggested but by a tradition considerably older than the compilation of the psalter? Besides, the analogy of all other poetry would lead us to expect precisely what we find in these psalms—general and not detailed allusions to the writer's circumstances. The poetic imagination does not reproduce the bald prosaic facts which have set it in motion, but the echo of them broken up and etherealised. It broods over them till life stirs, and the winged creature bursts from them to sing and soar.

If we accept the title as accurate, the fifty-ninth psalm is the first of these Songs of the Outlaw. It refers to the time "when Saul sent, and they watched the house to kill him." Those critics who reject this date, which they do on very weak grounds, lose themselves in a chaos of assumptions as to the occasion of the psalm. The Chaldean invasion, the assaults in the time of Nehemiah, and the era of the Maccabees, are alleged with equal confidence and equal groundlessness. "We believe that it is most advisable to adhere to the title, and most scientific to ignore these hypotheses built on nothing." (Delitzsch.)

It is a devotional and poetic commentary on the story in Samuel. There we get the bare facts of the assassins prowling by night round David's house; of Michal's warning; of her ready-witted trick to gain time, and of his hasty flight to Samuel at Ramah. In the narrative David is, as usual at this period, passive and silent; but when we turn to the psalm, we learn the tone of his mind as the peril bursts upon him, and all the vulgar craft and fear fades from before his lofty enthusiasm of faith.

The psalm begins abruptly with a passionate cry for help, which is repeated four times, thus bringing most vividly before us the extremity of the danger and the persistency of the suppliant's trust. The peculiar tenderness and closeness of his relation to his heavenly Friend, which is so characteristic of David's psalms, and which they were almost the first to express, breathes through the name by which he invokes help, "my God." The enemies are painted in words which accurately correspond with the history, and which by their variety reveal how formidable they were to the psalmist.

Ist Part—THE EXILE 3/5

The familiar Scripture antithesis, which naturally finds its clearest utterance in the words of the last inspired writer—namely, the eternal opposition of Light and Darkness, Love and Hate, Life and Death, is brought into sharpest relief by the juxtaposition and contrast of David and Saul. This is the key to the story. The two men are not more unlike in person than in spirit. We think of the one with his ruddy beauty and changeful eyes, and lithe slight form, and of the other gaunt and black, his giant strength weakened, and his "goodly" face scarred with the lightnings of his passions—and as they look so they are. The one full of joyous energy, the other devoured by gloom; the one going in and out among the people and winning universal love, the other sitting moody and self-absorbed behind his palace walls; the one bringing sweet clear tones of trustful praise from his harp, the other shaking his huge spear in his madness; the one ready for action and prosperous in it all, the other paralyzed, shrinking from all work, and leaving the conduct of the war to the servant whom he feared; the one conscious of the Divine presence making him strong and calm, the other writhing in the gripe of his evil spirit, and either foaming in fury, or stiffened into torpor; the one steadily growing in power and favour with God and man, the other sinking in deeper mire, and wrapped about with thickening mists as he moves to his doom. The tragic pathos of these two lives in their fateful antagonism is the embodiment of that awful alternative of life and death, blessing and cursing, which it was the very aim of Judaism to stamp ineffaceably on the conscience.

David's flight begins a period to which a large number of his psalms are referred. We may call them "The Songs of the Outlaw." The titles in the psalter connect several with specific events during his persecution by Saul, and besides these, there are others which have marked characteristics in common, and may therefore be regarded as belonging to the same time. The bulk of the former class are found in the second book of the psalter (Ps. xlii.-lxxii.), which has been arranged with some care. There are first eight Korahite psalms, and one of Asaph's; then a group of fifteen Davidic (li.-lxv.), followed by two anonymous; then three more of David's (lxviii.-lxx.), followed by one anonymous and the well-known prayer "for Solomon." Now it is worth notice that the group of fifteen psalms ascribed to David is as nearly as possible divided in halves, eight having inscriptions which give a specific date of composition, and seven having no such detail. There has also been some attempt at arranging the psalms of these two classes alternately, but that has not been accurately carried out. These facts show that the titles are at all events as old as the compilation of the second book of the psalter, and were regarded as accurate then. Several points about the complete book of psalms as we have it, seem to indicate that these two first books were an older nucleus, which was in existence long prior to the present collection—and if so, the date of the titles must be carried back a very long way indeed, and with a proportionate increase of authority.

Of the eight psalms in the second book having titles with specific dates, five (Ps. lii., liv., lvi., lvii., lix.) are assigned to the period of the Sauline persecution, and, as it would appear, with accuracy. There is a general similarity of tone in them all, as well as considerable parallelisms of expression, favourite phrases and metaphors, which are favourable to the hypothesis of a nearly cotemporaneous date. They are all in what, to use a phrase from another art, we may call David's earlier manner. For instance, in all the psalmist is surrounded by enemies. They would "swallow him up" (lvi. 1, 2; lvii. 3). They "oppress" him (liv. 3; lvi. 1). One of their weapons is calumny, which seems from the frequent references to have much moved the psalmist. Their tongues are razors (lii. 2), or swords (lvii. 4; lix. 7; lxiv. 3). They seem to him like crouching beasts ready to spring upon harmless prey (lvi. 6; lvii. 6; lix. 3); they are "lions" (lvii. 4), dogs (lix. 6, 14). He is conscious of nothing which he has done to provoke this storm of hatred (lix. 3; lxiv. 4.) The "strength" of God is his hope (liv. 1; lix. 9, 17). He is sure that retribution will fall upon the enemies (lii. 5; liv. 5; lvi. 7; lvii. 6; lix. 8-15; lxiv. 7, 8). He vows and knows that psalms of deliverance will yet succeed these plaintive cries (lii. 9; liv. 7; lvi. 12; lvii. 7-11; lix. 16, 17).

We also find a considerable number of psalms in the first book of the psalter which present the same features, and may therefore probably be classed with these as belonging to the time of his exile. Such for instance are the seventh and thirty-fourth, which have both inscriptions referring them to this period, with others which we shall have to consider presently. The imagery of the preceding group reappears in them. His enemies are lions (vii. 2; xvii. 12; xxii. 13; xxxv. 17); dogs (xxii. 16); bulls (xxii. 12). Pitfalls and snares are in his path (vii. 15; xxxi. 4; xxxv. 7). He passionately protests his innocence, and the kindliness of his heart to his wanton foes (vii. 3-5; xvii. 3, 4); whom he has helped and sorrowed over in their sickness (xxxv. 13, 14)—a reference, perhaps, to his solacing Saul in his paroxysms with the music of his harp. He dwells on retribution with vehemence (vii. 11-16; xi. 5-7; xxxi. 23; xxxv. 8), and on his own deliverance with confidence.