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Showing posts with label Ist Part—THE EXILE 5/5. Show all posts
Showing posts with label Ist Part—THE EXILE 5/5. Show all posts

14 August, 2020

Ist Part—THE EXILE 5/5


They "lie in wait (literally weave plots) for my life." They are "workers of iniquity," "men of blood," insolent or violent ("mighty" in English version). He asserts his innocence, as ever in these Sauline psalms, and appeals to God in confirmation, "not for my transgressions, nor for my sins, O Lord." He sees these eager tools of royal malice hurrying to their congenial work: "they run and prepare themselves." And then, rising high above all encompassing evils, he grasps at the throne of God in a cry, which gains additional force when we remember that the would-be murderers compassed his house in the night. "Awake to meet me, and behold;" as if he had said, "In the darkness do Thou see; at midnight sleep not Thou." 

The prayer is continued in words which heap together with unwonted abundance the Divine names, in each of which lie an appeal to God and a pillar of faith. As Jehovah, the self-existent Fountain of timeless Being; as the God of Hosts, the Commander of all the embattled powers of the universe, whether they be spiritual or material; as the God of Israel, who calls that people His, and has become theirs—he stirs up the strength of God to "awake to visit all the heathen,"—a prayer which has been supposed to compel the reference of the whole psalm to the assaults of Gentile nations, but which may be taken as an anticipation on David's lips of the truth that, "They are not all Israel which are of Israel." After a terrible petition—"Be not merciful to any secret plotters of evil"—there is a pause (Selah) to be filled, as it would appear, by some chords on the harp, or the blare of the trumpets, thus giving time to dwell on the previous petitions.

But still the thought of the foe haunts him, and he falls again to the lower level of painting their assembling round his house, and their whispers as they take their stand. It would appear that the watch had been kept up for more than one night. How he flings his growing scorn of them into the sarcastic words, "They return at evening; they growl like a dog, and compass the city" (or "go their rounds in the city"). One sees them stealing through the darkness, like the troops of vicious curs that infest Eastern cities, and hears their smothered threatenings as they crouch in the shadow of the unlighted streets. Then growing bolder, as the night deepens and sleep falls on the silent houses: "Behold they pour out with their mouth, swords (are) in their lips, for 'who hears'?" In magnificent contrast with these skulking murderers fancying themselves unseen and unheard, David's faith rends the heaven, and, with a daring image which is copied in a much later psalm (ii. 4), shows God gazing on them with Divine scorn which breaks in laughter and mockery. A brief verse, which recurs at the end of the psalm, closes the first portion of the psalm with a calm expression of untroubled trust, in beautiful contrast with the peril and tumult of soul, out of which it rises steadfast and ethereal, like a rainbow spanning a cataract. A slight error appears to have crept into the Hebrew text, which can be easily corrected from the parallel verse at the end, and then the quiet confident words are—

"My strength! upon Thee will I wait,
For God is my fortress!"


The second portion is an intensification of the first; pouring out a terrible prayer for exemplary retribution on his enemies; asking that no speedy destruction may befall them, but that God would first of all "make them reel" by the blow of His might; would then fling them prostrate; would make their pride and fierce words a net to snare them; and then, at last, would bring them to nothing in the hot flames of His wrath—that the world may know that He is king. The picture of the prowling dogs recurs with deepened scorn and firmer confidence that they will hunt for their prey in vain.

"And they return at evening; they growl like a dog,
And compass the city.

They—they prowl about for food
If (or, since) they are not satisfied, they spend the night (in the search.)"

There is almost a smile on his face as he thinks of their hunting about for him, like hungry hounds snuffing for their meal in the kennels, and growling now in disappointment—while he is safe beyond their reach. And the psalm ends with a glad burst of confidence, and a vow of praise very characteristic on his lips—

"But I—I will sing Thy power,
And shout aloud, in the morning, Thy mercy,
For Thou hast been a fortress for me.
And a refuge in the day of my trouble.
My strength! unto Thee will I harp,
For God is my fortress—the God of my mercy."


Thrice he repeats the vow of praise. His harp was his companion in his flight, and even in the midst of peril the poet's nature appears which regards all life as materials for song, and the devout spirit appears which regards all trial as occasions for praise. He has calmed his own spirit, as he had done Saul's, by his song, and by prayer has swung himself clear above fightings and fears. The refrain, which occurs twice in the psalm, witnesses to the growth of his faith even while he sings. At first he could only say in patient expectance, "My strength! I will wait upon thee, for God is my fortress." But at the end his mood is higher, his soul has caught fire as it revolves, and his last words are a triumphant amplification of his earlier trust: "My strength! unto thee will I sing with the harp—for God is my fortress—the God of my mercy."