But the chief interest of the comparison between the writings of these two Fathers upon the Psalms lies in the insight which it affords into their respective modes of thought. Fragmentary as they are, Origen’s words are a manifestly genuine and not inadequate expression of his mind; and Hilary, a recognised authority and conscious of his powers, has so moulded and transformed his original, now adapting and now rejecting, that he has made it, even on the ground which is common to both, a true and sufficient representation of his own mental attitude. The Roman contrasts broadly with the Greek. He constantly illustrates his discourse with historical incidents of Scripture, taken in their literal sense; there are few such in Origen. Origen is full, as usual, of praises of the contemplative state; in speculation upon Divine things consists for him the happiness everywhere promised to the saints. Hilary ignores abstract speculation, whether as a method of interpretation or as a hope for the future, and actually describes the contemplation of God’s dealings with men as merely one among other modes of preparation for eternal blessings. In the same discourse he paraphrases the words of Origen, ‘He who has done all things that conduce to the knowledge of God,’ by ‘They who have the abiding sense of a cleansed heart.’ Though he is the willing slave of the allegorical method, yet he revolts from time to time against its excesses in Origen; their treatment of Psalm 126, in the one case practical, in the other mystical, is a typical example. Hilary’s attention is fixed on concrete things; the enemies denounced in the Psalms mean for him the heretics of the day, while Origen had recognised in them the invisible agency of evil spirits. The words ‘Who teacheth my hands to fight’ suggest to Origen intellectual weapons and victories; they remind Hilary of the ‘I have overcome the world’ of Christ. In fact, the thought of Hilary was so charged with definite convictions concerning Christ, and so impressed with their importance that his very earnestness and concentration betrays him into error of interpretation. It would be an insufficient, yet not a false, contrast between him and Origen to say that the latter distorts, with an almost playful ingenuity, the single words or phrases of Scripture, while Hilary, with masterful indifference to the principles of exegesis, will force a whole chapter to render the sense which he desires. And his obvious sincerity, his concentration of thought upon one great and always interesting doctrine, his constant appeal to what seems to be, and sometimes is, the exact sense of Scripture, and the vigour of his style, far better adapted to its purpose than that of Origen; all these render him an even more convincing exponent than the other of the bad system of interpretation which both have adopted. Sound theological deductions and wise moral reflections on every page make the reader willing to pardon a vicious method, for Hilary’s doctrine is never based upon his exegesis of the Psalms. No primary truth depends for him upon allegory or mysticism, and it may be that he used the method with the less caution because he looked for nothing more than that it should illustrate and confirm what was already established. Since, then, the permanent interest of the work is that it shews us what seemed to Hilary, as a representative of his age, to be the truth, and we have in it a powerful and original presentation of that truth, we can welcome, as a quaint and not ungraceful enlivening of his argument, this ingenuity of misinterpretation. And we may learn also a lesson for ourselves of the importance of the doctrine which he inculcates with such perseverance. Confronting him as it did, in various aspects, at every turn and in the most unlikely places during his journey through the Psalter, his faith concerning Christ was manifestly in Hilary’s eyes the vital element of religion.
The Homilies on the Psalms have never been a popular work. Readable as they are, and free from most of the difficulties which beset the De Trinitate, posterity allowed them to be mutilated, and, as we saw, only a portion has come down to us. Their chief influence, like that of the other treatise, has been that which Hilary has exercised through them upon writers of greater fame. Ambrose has borrowed from them liberally and quite uncritically for his own exposition of certain of the Psalms; and Ambrose, accredited by his own fame and that of his greater friend Augustine, has quite overshadowed the fame of Hilary. The Homilies may, perhaps, have also suffered from an undeserved suspicion that anything written by the author of the De Trinitate would be hard to read. They have, in any case, been little read; and yet, as the first important example in Latin literature of the allegorical method, and as furnishing the staple of a widely studied work of St. Ambrose, they have profoundly affected the course of Christian thought. Their historical interest as well as their intrinsic value commands our respect.
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